《画中情思》和《安娜·卡列尼娜》都是悲剧文学的代表作，作品中分别对吉拉蒂和安娜两位人物的形象进行了细致生动的描绘，通过两位主人公的悲惨命运和悲剧形象，揭露了她们所处时代的虚伪性。作品中吉拉蒂和安娜，都坚持“爱情至上”的原则与真理，在爱情中觉醒，也在爱情中消亡。其在悲剧形象的表现上既有相似又有不同，相同之处有，一是都出生于贵族家庭，但高贵的出生并没有使她们获得应有的幸福。相反，恰恰是封建传统思想影响下的贵族家庭的约束，使得她们在追求爱情与获得幸福婚姻方面都没有自主权；二是处在新旧时代交替背景下的她们受到外来思想的影响，意识逐渐觉醒，富于激情，在解放个性、追求真爱和婚姻幸福方面开始有了新的要求；三是由于传统封建专制主义在社会的发展中仍占据着主导地位，在追求个性解放、爱情自由的同时无形中又有一股强大的力量在压制着她们，内心矛盾且复杂；四是在渴望爱情，追求真爱与幸福婚姻方面，因坚持“爱情至上”的真理，求爱而不得，最后在爱情的燃烧中熄灭生命的光芒。不同之处主要表现在:一是作者刻画的人物性格存在差异，二是塑造的人物形象存在差异，三是追求爱情至上的方式存在差异；四是爱而不得，选择结束生命的方式不同。
吉拉蒂和安娜都处于新旧思想交替的变革时代，深受封建传统思想与社会变革先进思想之间产生的冲突的影响。正是因为有同有异，所以对这两部作品中的两位女主人公进行悲剧形象方面的分析和比较研究才既可行又具有价值。她们的经历与命运只是所处时代背景下的一个缩影，但从她们身上折射出来的却是这个时代千千万万个女性最真实的生活写照，而造成这一切悲剧的主要根源，便是那个充满虚伪和罪恶的社会。
"Love in Painting" and "Anna Karenina" are both masterpieces of tragic literature. In the works, the images of Girardi and Anna are described in detail and vividly. The tragic image exposes the hypocrisy of their times. In the works, both Girati and Anna adhere to the principle and truth of "love first", awaken in love, and die in love. There are both similarities and differences in the expression of their tragic images. The similarities are that they were all born in noble families, but their noble birth did not bring them the happiness they deserve. On the contrary, it is precisely the restraint of noble families under the influence of feudal traditional thinking that makes them have no autonomy in pursuing love and obtaining a happy marriage; secondly, they are affected by foreign ideas in the background of the old and new eras, and their consciousness gradually awakens, full of passion, began to have new requirements in terms of emancipating individuality, pursuing true love and marriage happiness; thirdly, because traditional feudal absolutism still occupies a dominant position in the development of society, it is invisible while pursuing individual liberation and freedom of love. There is another powerful force suppressing them, and their hearts are contradictory and complicated; fourth, in terms of longing for love, pursuing true love and happy marriage, because they insist on the truth of "love first", they cannot court, and finally extinguished in the burning of love. The light of life. The differences are mainly manifested in: first, there are differences in the personalities of the characters portrayed by the authors; second, there are differences in the images of the characters. Both Girati and Anna are in the changing era of the alternation of old and new ideas, and are deeply affected by the conflict between feudal traditional ideas and advanced ideas of social change. It is because of similarities and differences that it is feasible and valuable to analyze and compare the tragic images of the two heroines in these two works. Their experience and destiny are just a microcosm of the background of the times they live in, but what they reflect is the truest life portrayal of thousands of women in this era, and the main root cause of all these tragedies is that A society full of hypocrisy and crime.
